Coat of Arms of the Violette Family

By Nancy Nolette (VFA #1702)

Development of this Coat Of Arms was authorized by the Violette Family Association at the August 2008 Reunion in Windsor Locks CT. Nancy Nolette, VFA #1702, and Paul Bunnell, VFA #292, were appointed to create the Coat of Arms. They worked with Mary Ellen Szper of Flying Frog Designs, graphic designer, to develop the final product.  Adopted by the Violette Family Association at the August 2014 Reunion in Van Buren ME and it is copyright © Violette Family Association 2008-present.

Violette Coat Of Arms

The color scheme was selected based on the natural colors and symbolism of the objects depicted. Here is how the colors are formed.

The outline shading is in dark silver and banner/ribbon is in a lighter silver colored. Darker colors such as black, brown, dark blue, and dark green would not complement the overall design.

The shield background is a medium blue as it complements the color of the four objects. All four objects are on a blue field or can be seen in nature against a blue background. The French, Acadian, and US flag all have a medium blue color.

Violet flower. . .this flower’s color varies in shades from light and dark purple to a pinkish and sometimes with white on it. In the wild the color is a bluish purple. Keeping the purple/violet color keeps the theme VIOLETTE in mind, for name and color. In addition, the New Brunswick coat of arms has violets on it. Violets grow wild in the Maritime Provinces and New England.

The VIOLETTE name is in the violet flower and color and matches both.

Our motto, “We are One,” is in a contrasting color, black so it does not blend in with the VIOLETTE name but can be easily identified. That motto was adopted by the Violette Family Association around 1978.

The fleur de lis used by the French monarchy was colored gold. After the revolution, the French kept the fleur de lis but changed the color to white. The province of Quebec, Canada, uses the white fleur de lis on its flag. The coat of arms of the province of New Brunswick has gold fleur de lis on it. The fleur de lis — a lily is a white colored flower.

The gold star represents the Virgin Mary, patron saint of the Acadians. The gold star is on the Acadian Flag. The New England Acadian flag has a gold star on it and the US flag has stars representing each state in the union.

The red maple leaf represents Canada. Even though it was only adopted by the Canadian government in 1965, everyone recognizes the Maple Leaf as the symbol of Canada.

The bald eagle is the national bird and symbol of the United States of America. Many of our ancestors/descendants live in the USA. The bald eagle is found in Canada, mainland USA, and Mexico.

These four symbols show the route our ancestors took to the present-day distribution of their descendants: France, to Acadia, then to Canada and the USA.

The water wheel is a dark brown showing its wooden color. The water is blue from Violette Brook where François first settled in what is now Van Buren, Maine, and where he built and ran a grist mill.

The shafts of wheat are golden showing that they have been harvested and are ready for grinding in the mill operated by François Violette.

The violet background color symbolizes a field of violet flowers. This represents the growing number of Violet descendants from our founding family.


A copy of the Violette Family Coat of Arms and this accompanying description is available from the Violette Family Association for a US$10 (CAN$15) donation to cover printing, shipping, and handling. Send check or money order with shipping instructions to Violette Family Association, 2050 W Dunlap Ave, Lot D54, Phoenix AZ 85021. Or, use the Donate button at VioletteRegistry.com to make the payment securely using PayPal. Each Coat of Arms is printed in color on heavy glossy photo stock and enclosed in a clear plastic sleeve that also includes this description.

 

Charles Violet, Maistre Couvreur at Fortress Louisbourg

By Pete Violette (VFA#1793)

Think of my surprise, as I was reading Peter Moogk’s book “Building a House in New France” and on page 76 I see the name of one of my ancestors mentioned. In chapter four, Peter was discussing how, after signing a notarized contract to build a house – that typically no notarized contracts existed for craftsmen such as a mason or a roofer, yet he knows they were needed in order to complete the house. Peter goes on to explain that there could have been a verbal agreement or, more likely there was a “sous seing prive” which translates as “private agreement”, typically drawn up by either the contractor or home owner. Think of it much like today, when you hire a contractor to build something such as a house, typically the contractor hires what is known as sub-contractors for all the different trades (craftsmen) needed to build the house i.e. foundation workers, framers, plumbers, electricians, etc.. Peter goes to explain that these private agreements were often “brief and to the point”. A difference that we might not be familiar with is that back in the 1700s, in New France, when building a home it was typical for the client to “finish” the home. In other words, the builder would build the basic structure, but the home owner might decide, in order to save money, he would nail down his own floor boards, or as in this case, hire their own roofer to put the roof on the home.

John Bastide 1745 Map of Louisbourg

Figure 1. Extract of John Bastide 1745 Map of Louisbourg: Courtesy clements.umich.edu

The example Peter gives for a “sous seing prive” is none other than our very own ancestor Charles Violet, and the example in Peter Moogk’s book “Building a House in New France” reads:

I, that is me Charles Viollet [Violet], bind myself to roof the new house of Madame Poinsu with shingles [bardeau]and to supply all the shingles and nails required for the sum of 150 livres, that the said lady will pay me on St. Michael’s Day next.” (Used with permission from Peter Moogk)

Peter explains in his book that often a feast day, such as was mentioned in Charles’s contract, would be chosen as a completion date. The feast of St. Michael’s was 29 September, so they clearly wanted the roof completed before the cold and snow of fall set in.

I believe the reason the contract was made by “Madame Poinsu” (her maiden name was Bernadine Le Mauguet) is because she had lost her husband, Francois Poinsu, on 3 January 1753. Peter Moogk points out that typically, contracts for new houses, and especially if they were a “stone” house, were negotiated and signed in the fall. If you didn’t have a signed contract in the fall, you ran the risks that come spring time all the builders would be already committed and couldn’t accommodate you. We know from the 1767 map that George Sproule made, that the Poinsu house was a wooden structure, and the contract appears to have been set in the spring of 1752.

I did a search of Eric Krause’s work “Structural Documents Associated with Property Developments Fronting Rue Royalle and Rue D’Orleans” and in there I found a reference that indicates on 10 May 1752 Francois Poinsu had entered into an agreement with a master joiner for some work at block 14, lot F. In addition, there is another entry also dated 10 may 1752 where Francois Poinsu accounts for debts owed and indicates a number of construction supplies as having been purchased. Within that list is “a Violette Couvreur Cy 162”. We know couvreur translates as roofer, which was the occupation of Charles Violet, and I believe the “Cy” is a French accounting abbreviation used during the Middle Ages, or that is when I have seen it used, and always with the “livre tournois” which was a monetary unit used then. So he owed Charles 162 livres. It appears Francois Poinsu may have, back in May of 1752, been arranging for the work on his house. No doubt to make either needed repairs or to fix damage that occurred during the siege of 1745.

John Bastide 1745 Map of Louisbourg

Figure 2. Extract of George Sproule 1767 Map of Louisbourg: Courtesy clements.umich.edu

This was Francois Poinsu’s second time for living at Louisbourg. He had lived there before the first siege which happened in 1745. And he came back to Louisbourg in 1749, after France had regained control of the whole island of Ile Royale (present day Cape Breton) during the 1748 Treaty of Aix-la-Chapelle. During his first visit he was involved in a business with a Joseph Dugas and Jean Milly. They had obtained a charter to provide fresh beef for both the garrison and the civilian population of Louisbourg. During that time they established a butcher shop in the building at Block 4, Lot B. I can only suspect that when Francois Poinsu returned in 1749, it was in the hope of restarting that lucrative cattle import and butchery business.

For both Francois Poinsu and Bernadine Le Mauguet, this was a second marriage, both had been previously married and their spouse had died. Of interest to note, both times that Francois married, he was married in Louisbourg, and so he clearly had a very strong connection to Louisbourg.

Eric Krause, who once held the position of Historical Records Supervisor at the Fortress of Louisbourg, wrote many research papers and it was in his 2000-151 paper where I found that Francois Poinsu had owned Lot F in Block 14. When you compare the shape of the buildings on Lot F, Block 14 between the 1745 (Figure 1) and the 1767 (Figure 2) maps (red labeling added by author), it becomes obvious that the shape of the buildings on Lot F, Block 14 has changed. What I cannot be clear about, is which building in Lot F was the “new house of Madame Poinsu” mentioned in the agreement. If I was to guess, I would think it was the one on the corner, what do you think?

King’s Bakery Fortress Louisbourg

Figure3. King’s Bakery Fortress Louisbourg: Courtesy goggle maps

Yvon LeBlanc, the architect for Fortress Louisbourg, reported in an interview for Cape Breton’s Magazine, that buildings at rebuilt Louisbourg, have to be re-roofed every 6 or 7 years. He stated that this is due to the climate and the fact that shingles were not painted. I suspect this helped keep our ancestor Charles Violet continuously employed when he lived there.

Linda Hoad, in her report titled “Block 1, Boulangerie, Hangard D’Artillerie, New England Storehouse” she stated on page 5 that:

The French found the building in poor condition, and in 1749, extensive repairs were carried out: the chimneys and roof were repaired…The roof was made of slate…

Boulangerie translates as “bakery” and the King’s Bakery is one of the buildings reconstructed at the Fortress of Louisbourg (see Figure 3). Did our ancestor repair this roof back in 1749? There is no conclusive proof to say this, but the facts are that he was a “Master Roofer”, and he was there in Louisbourg when the repairs were made, therefore make the likelihood that he worked on this roof extremely high. What do you think?

Linda goes on in her report to state:

Woodcut showing Charpente timbers being cut

Figure 4. Woodcut showing Charpente timbers being cut: Courtesy Recuel de Planches

The roof of the hangard [shed] was indicated for repairs also, and this work was completed by December of 1749…A rather elaborate shop for the armour was constructed in the hangard at the same time.” Later in her report she states “The hangard…was a masonry structure…with a slate roof.

I believe that Charles had plenty of work, both repairing and replacing roofs. I suspect his services as a “maistre Couvreur” (master roofer), as he was referred to when he rented a house from Allain Le Gras in 1755, was in great need on both government buildings (which typically had slate roofs) and on the buildings of the many civilians who lived at Fortress Louisbourg (which typically had wooden shingles).

Charpente Joints

Figure 5. Charpente Joints: Courtesy Recuel de Planches

According to Eric Krause 2005 report on the use of shingles at Louisbourg, the shingles were laid over “beveled board” sheathing. The beveled board sheathing was introduced to prevent fine powered blowing snow, common in Louisbourg, from penetrating the roof. In order to keep out the weather, it was critical that the beveled board sheathing be made uniformly and installed with a tight fit. Before the use of wooden shingles became popular during the 1700s, a method of overlapping boards was used.

The wooden shingles had the common characteristics of being made with a tapered thickness, and when installed, only 1/3 of the thickest end was exposed; the other 2/3’s were covered by each successive overlapping row of shingles. Each shingle was approximately 18 pouce long (a pouce is equal to 1- 1/16 inch), by 4-5 pouce wide. The typical shingle used in Louisbourg during Charles’ time, was produced in New England and made of pine. Shingles were made by splitting wood slabs with a maul & froe. Then each shingle was dressed on a shaving horse with a drawknife, to produce the needed taper and smoothness. Each shingle required a smooth surface in order for it to seal properly once installed.

There were several different home building methods used during Charles time at Louisbourg. Colombage, which is a half-timbered construction, where the space between the wooden timbers is filled with another material, and the most prevalent method used at Louisbourg. This fill could be a mixture of masonry, stone, or brick. Or as often seen in Louisbourg, upright piquets, which are round posts, which were then filled with mortar between each piquet, see building in foreground of Figure 7 for an example.

Photo of display panel at Louisbourg

Figure 6. Photo of display panel at Louisbourg: Courtesy Author

Another method is called pieces-sur-pieces which uses a half-timbering structure similar to colombage, but one where the upright timbers are slotted to accept the tenoned ends of squared horizontal timbers which are used to fill the spaces between the upright timbers.

In order to build these early structures, a timber framework known as charpente was first constructed, using a method of hand cut slots (mortise) and tenoned ends on the timbers, all connected using wooden pins driven through drilled holes. This allowed the structures of early wooden buildings to be built without the use of any nails; everything was held together with interlocking joints and wooden pegs. However nails were used to hold the bardeaus (wooden shingles) on the roof (typically two nails for each shingle), the plancher (floor boards) inside the house, and the wooden “beveled board” sheathing typically used on roofs in Louisbourg to keep out the weather. During Charles’ time, each nail had to be hand made by a blacksmith, so nails were expensive and only used sparingly. During repair work, the nails were always saved and reused.

To gain an understanding of how charpente interlocking joints were made I turned to a 1762 French book written by Denis Diderot, and titled “Recueil de Planches, sur les sciences, les arts liberaux, et les arts mechaniques: avec leur explication” which translates as “Compendium of Plates, on sciences, liberal arts, and mechanical arts: with their explanation”. This old book, written in French, contained many illustrations showing how these joints were made, see Figures 4 & 5.

Probably, more of interest to us is how the roofs were made; see Figure 6 which is a photo of an interpretive panel at Louisbourg, which shows a typical Louisbourg roof constructed using the charpente interlocking joint method.

Below is an example from the book “Recueil de Planches, sur les sciences, les arts liberaux, et les arts mechaniques: avec leur explication” showing a typical French roof construction used during the 1700s, (Figure 8). Following the figure is a list, keyed to Figure 8, of the French terms of each roof component, along with the best English translation I was able to obtain using different translation sources.

A. chevrons de longs pans. (Rafters of long pieces)

Woodcut showing typical roof construction

Figure 8. Woodcut showing typical roof construction: Courtesy Recuel de Planches

B. poutres ou tirans. (Beams)

C. murs. (Walls)

D. poinçons. (Crown Post)

F. grand entrait. (Large Stringer)

f. petit entrait. (Small Stringer)

L. faîte. (Ridge)

M. sàblieres. (Roof Purlin/Wall Plate)

N. liens. (Links/Braces)

O. double , grands esseliers. (Large Support)

o. petits esseliers. (Small Support)

P. jambettes. (Brace)

Q. coyeàux (Coyau or Coyaux). (name for the Bell Cast Eave used on French homes)

S. soûsaîte. (Piece that makes assemblies stronger)

X. blochets. (Framing piece receiving the rafters)

Y. entretoises des sablieres. (Outside Wall Plate)

Z. liernes. (Wood piece connecting two structural members of roof)

AB. entrait de croupe. (Hip Rafter)

If you get the opportunity to visit Fortress Louisbourg, be sure to check out all the reconstructed buildings and their roofs, see Figure 7. Keep in mind that your ancestor Charles Violet helped repair and/or build many of the original roofs, during his stay between 1749, when he arrived at Louisbourg, up until 1758 when Louisbourg fell during the second British siege. Also, if you get to visit, be sure and check out the Carrerot House which has an exhibit of 18th century building techniques. It has a portion that is opened up so you can view the wooden framework of a typical 18th century roof and has on display a section of roof that archaeologists had unearthed at Louisbourg. Is it possible that Charles worked on this unearthed section of roof? If you cannot visit Louisbourg then please check out the following video https://www.youtube.com/watch?v=1UwBqnStoAg.

Roofs at Louisbourg

Figure 7. Roofs at Fortress Louisbourg: Courtesy Author

Bibliography

Biagi, Susan, Louisbourg a Living History Colorguide, Formac Publishing Co., 1997

Diderot, Denis, Recueil de Planches, sur les sciences, les arts liberaux, et les arts mechaniques: avec leur explication, Paris, Chez Briasson, 1762, vol II

Le Blanc, Yvon, Interview published in Cape Breton’s Magazine, no. 34 (August 1983), pp. 49-60

Moogk, Peter, Building a House in New France, Fitzhenry & Whiteside, 2002

Unpublished Manuscripts

Hoad, Linda, Fortress of Louisbourg Report, H D 08, Block 1, Boulangerie, Hangard D’Artillerie, New England Storehouse

Krause, Eric, Structural Documents Associated with Property Developments Fronting Rue Royalle and Rue D’Orleans Report 2000-151

Krause, Eric, Shingles, report dated 20 May2005

Myers, Susann, Restoration Architect at Fortress Louisbourg, report titled Shingles, dated 9 June 2003

Translation Sources

Larousse Chambers Dictionnaire: Houghton Mifflin Company, 2003

Google Translate

Lexilogos Dictionnaire ancien francais (https://www.lexilogos.com/francais_ancien.htm)

Francois LeBlanc, Illustrated English and French Old Carpentry Terminology – Roofs (http://ip51.icomos.org/~fleblanc/documents/terminology/doc_terminology_carpentry_roofs_index.html)

Couvreur

By Pete Violette (VFA#1793)

Many of us know that our ancestor Charles Francois Violet’s (1716-1765) occupation was as a courvreur. Couvreur is a French word meaning “roofer”, or basically he is the craftsman who covered houses and buildings. To see tools used by a Couvreur I have turned to a 1762 French book written by Denis Diderot, and titled “Recueil de Planches, sur les sciences, les arts liberaux, et les arts mechaniques: avec leur explication” which translates as “Collection of Plates, on the sciences, the liberal arts, and the mechanical arts: with their explanation”. I find these old illustrations a wonderful art form. In the book Couvreur is listed under Architecte [architect], and he is one of the many craftsmen who would have been employed by an architect to build a house or building. I suspect Charles would have performed similar tasks and used very similar tools to those shown in the book. Continue reading

A Visit To Violet France

By Lee Anne Violet (VFA#2672, P60572)

Lee at Maison Galhaud winery

Lee at Maison Galhaud winery

“Violet? Maybe we should call you Purple!” “You some kind of delicate flower?” “Watch out. It’s Lee Anne Violent!”

Growing up with the last name Violet made me realize two things. First, creativity plays no part in the taunts of your average grade-schooler. Second, those kids cued in on something – my last name was out of the ordinary. That realization prompted questions. Where did it come from? Who were the people that passed on this name? And why wasn’t it something normal like Olson or Carlson, like the rest of my fellow Scandinavian Minnesotans?

The answers I received to these questions were at best murky family lore. The only detail regarding our name I was able to prize was that my great-great grandfather changed it from Violette to Violet to simplify pronunciation. Continue reading

Six Violette/Violet/Violett Families in North America

We have been aware for quite some time that we are not the only Violette family in North America. In fact, our genealogical database has six distinct families with one of those names! And there may be more. (Note: in this story the numbers shown as (Pnnnn) are the person IDs from that database. You can go to VioletteRegistry.com/FamilyTree and do searches using those numbers under Advanced Search and you will find the individual and can trace forward and backward in their tree.) Continue reading

A visit to Fortress Louisbourg – Part 3

Girls and soldier looking at sheep

Girls and soldier looking at sheep

(This is the final part of a three-part series about Fortress Louisbourg. The content was published as Appendix 5-A in Chapter 5 of A Violette History, available at Amazon.. Other chapter references here also refer to that same book.) 

I took the opportunity during our travels following the Violette Family Reunion 2011 to visit the Louisbourg area to learn more about where my ancestors had lived. I wanted to walk the streets and get the feel for the place where Charles, Marie David, and François had lived during the period 1749-1758. My visit was during late August so the place was open for visits and there were a moderate number of visitors during my visits. The National Park also has a few dozen people dressed in period costumes that engage in programmed activities to illustrate aspects of life in Louisbourg in 1745. The portrayed time frame is just before the British and New Englanders laid siege to Louisbourg in 1745, as described in this chapter, and at the peak of a long phase of French development of the port and city that had started around 1713. The French community in Louisbourg was well developed and to society and community there had had many years to mature. Continue reading

A visit to Fortress Louisbourg – Part 2

along Rue Le Quay

Commercial buildings along Rue Le Quay, facing waterfront

Life in the 1748-1758 era in Fortress Louisbourg must have been exciting. While the town of Louisbourg had been first settled in the early 1600s by the French, its importance grew during the late 1600s and early 1700s as the British and French competed for control of the region. For the British it was probably a desire to expand their influence and holdings spreading from New England. For the French it was the lucrative fishery resources and protection of their trade and communication routes between France, Quebec, and the West Indies. The Treaty of Utrecht in 1713 gave the British control over the peninsular Acadia while the French retained control over adjacent Ile Royale (Cape Breton Island). Continue reading

A visit to Fortress Louisbourg – Part 1

Fortress Louisbourg region

This regional view shows Fortress Louisbourg’s location on Cape Breton Island, at the tip of Nova Scotia, Canada.

This is from a visit my wife Elaine and I made to Louisbourg NS in August 2011 so I could visit Fortress Louisbourg. This place is important in the Violette family because my great-great-great-great-great grandparents, Charles and Marie David Violet, came to this fort in 1749 and thus established the Violette family on this continent. They came from France with two children: Alexis 16, and François 3. Alexis was Marie David’s child from a previous marriage. Marie David died in 1751 and Charles married Marie Anne Sudois. Charles and Marie Anne returned to France in 1758, but François, my ancestor, stayed behind as a teenager. François later moved to the St John NB area; there’s another story about that. Continue reading

Francois and Marie-Luce at the Hammond River

We’ve been there

high view

Looking down toward the Hammond River in the distance. The brook in the foreground drains into the Hammond. This was taken from the high ground above the bench where the farm buildings are  located today.

In 2011, Dave Violette, VFA #621, author of this article, visited the present-day farm that is on the lands that Francois and Marie-Luce Violet/Violette pioneered around 1769-70. They lived on that land for the next 19-20 years. The three photos here are from his visit. He got a chance to talk with Mike Steele, the current owner, and Mike gave Dave a tour of the property from the low lands along the river up into the forested high ground. Dave asked if there were any remains of the former Violette farm, but Mike said they had never found any signs of foundation or buildings. So while we don’t know just how François and Marie-Luce developed their property, from the description given here we expect that they probably built on the bench where the current farm buildings are located. Continue reading

The Violette Family Book, by Peter R Violette

Cover of Violette Family Book, available for purchase at Amazon. Click the image to go there.

Another book about the Violette Family was written by Peter R. Violette (VFA #1793) and published in December 2015. It is available from Amazon using this link. This book starts with the known history of our family starting with Francois’ grandparents, Louis and Marie, and continues on to tell the story how the family came to move from France to Louisbourg. He traces the history at Louisbourg with excellent details and insights,and continues with the family history in southern New Brunswick and the later move to the Upper St John River, where Francois and his family pioneered.  Continue reading